The small hand-held device Limenia picks up electromagnetic radiation from the surrounding and turns it into sound. In transposing this “electrosphere” into the spectrum of human perception, the device serves as an interface, allowing us to undertake speculations about this ordinarily imperceptible hyperobject that we create with our skyrocketing information and communication infrastructure and that…

The drifters. A peculiar group of a dozen people in big raincoats. They follow a string of holiday lights, wrapped around the rod of a black umbrella and dancing through wind and weather like an electrified firefly. Their ritualistic appearance as non-speaking crowd, confidently and calmly marching through abandoned streets against the backdrop of the…

Michiel de Lange in 2017 contributed “Slimme stad, slimme stedelingen” in Agora Magazine voor sociaalruimtelijke vraagstukken. Further description and details regarding the contribution can be found here. The article can be read here.

Sigrid Merx in 2016 contributed  “Naar een typologie van kunst in de publieke ruimte” in Boekman 111. Further description and details regarding the contribution can be found here.

Nanna Verhoeff in 2016 contributed “Interfacing Urban Media Art”  in Susa Pop, Tanya Toft, Nerea Calvillo, Mark Wright (eds.), What Urban Media Art Can Do: Why, When, Where & How. Further description and details regarding the contribution can be found here.